A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman - фото 1
A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman - фото 2
A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman - фото 3
A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman - фото 4
A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman - фото 5
A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman - фото 6
A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman - фото 7

A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman

Лот 170
28.09.2023 13:00UTC +00:00
Classic
Продан
£ 4 410
AuctioneerCHRISTIE'S
Место проведенияВеликобритания, London
Комиссияsee on Website%
Архив
Аукцион завершен. Ставки на лот больше не принимаются.
Archive
ID 1016533
Лот 170 | A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman
Оценочная стоимость
£ 6 000 – 8 000
A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman

Charles “Charlie,” Jr. Parker, Max Roach, Billie Holiday, Coleman Hawkins et al.

PARKER, Charles “Charlie,” Jr. (1920-1955), Max ROACH (1924-2007), Billie HOLIDAY (1915-1959), Coleman HAWKINS, (1904-1969) et al.



A collection of seventeen 78 rpm singles signed by the artists, 1924-1950, originally acquired by photographer and autograph collector Nat Singerman.



Singerman was a professional photographer and co-owner of Character Arts Photo Studio in Cleveland, Ohio, in the 1940s and 50s. During this period, he met and befriended many of the jazz greats who made appearances at clubs in and around Cleveland and Chicago. In a 2013 interview with The New York Times, film archivist Joe Lauro, who had acquired Singerman’s photography archive, explained that ‘Nat would go to see [jazz musicians] whenever they came to town. He collected old 78s that some of these artists had made when they were much younger. For example, he had Louis Armstrong records from the ’20s, and he would bring these classics, and Louis would sign in white ink his name, sometimes “to Nat.” He had Billie Holiday sign, he had all kinds of other people sign these records.’ The 2013 profile featured a selection of remarkable colour photographs by Singerman, which show various musicians either posing with or signing Singerman’s 78s, stashed securely in a presentation album. The pot of white ink which Singerman often provided is clearly visible in some of the shots.



Seventeen 10-inch shellac 78 rpm records, variously signed on the labels or sleeves, comprising:



- Charlie Parker (You Came Along From) Out of Nowhere, signed in black ink on the original brown paper Mercury Records sleeve;

- Charlie Parker with Max Roach Buzzy, signed in white ink by Parker and Roach on the A-side label;

- Billie Holiday I'll Be Seeing You, signed in black ink on the brown paper sleeve, and Let’s Call the Whole Thing Off, signed slip pasted to A-side label;

- Coleman Hawkins Imagination, Night and Day, Salt Peanuts and Save It Pretty Mama, two signed in blue ink and two signed in white ink on the A-side labels;

- Coleman Hawkins and Oscar Pettiford Esquire Blues and My Ideal, both signed in white ink by Hawkins on the A-side label, with Pettiford’s signed slip pasted to the B-side labels;

- Earl ‘Fatha’ Hines At the El Grotto, Madhouse, and My Fate Is In Your Hands, two signed in white ink on the A-side and one signed in white ink on the B-side label;

- Fletcher Henderson My Papa Doesn’t Two Time No Time, signed in white ink on the A-side label, and Blue Rhythm, signed in white ink on the B-side label;

- Nat ‘King’ Cole Nature Boy, signed in white ink on the A-side label, and Body and Soul, signed in white ink on the B-side label;



the majority with later sleeves; housed in a carpet covered flight case. Provenance: Nat Singerman (photographer and jazz collector) – Bob Altshuler (former CBS Records Vice-President and record collector) – Norman R. Saks (Vail, plates 47c, 588-589, 590-594, 597-601, 608-610).

Адрес торгов CHRISTIE'S
8 King Street, St. James's
SW1Y 6QT London
Великобритания
Предосмотр
28.09.2023 – 28.09.2023
Телефон +44 (0)20 7839 9060
E-mail
4FQ.AYGKAGLUQ@FO3G@
Комиссия see on Website
Условия использованияУсловия использования

Больше от Создателя

An archive of eleven rare 78 rpm Savoy Records test pressings, including Charlie Parker’s landmark first studio recordings as leader, from the collection of legendary Savoy producer Teddy Reig, 1944-46
An archive of eleven rare 78 rpm Savoy Records test pressings, including Charlie Parker’s landmark first studio recordings as leader, from the collection of legendary Savoy producer Teddy Reig, 1944-46
£6 000
Document signed
Document signed
£1 200
An instrument case, personally owned and used by Charlie “Bird” Parker, dating from his trip to Sweden in November 1950
An instrument case, personally owned and used by Charlie “Bird” Parker, dating from his trip to Sweden in November 1950
£3 000
Three autograph notes from Charlie Parker to his common-law wife Chan Parker, early 1950s
Three autograph notes from Charlie Parker to his common-law wife Chan Parker, early 1950s
£1 500
Lady Sings the Blues
Lady Sings the Blues
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Part-printed document signed in black ink 'Charlie Parker', 19 May 1954
Part-printed document signed in black ink 'Charlie Parker', 19 May 1954
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Three rare reel-to-reel master copy studio recordings of Billie Holiday from sessions produced by Norman Granz between April 1952 and August 1955
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Promotional mailer signed
Promotional mailer signed
£1 200

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