GIUSEPPE GALLI BIBIENA (1696-1757)

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€ 27 720
Date de l'enchèreClassic
18.05.2022 14:30UTC +02:00
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CHRISTIE'S
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France, Paris
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ID 761415
Lot 16 | GIUSEPPE GALLI BIBIENA (1696-1757)
GIUSEPPE GALLI BIBIENA (1696-1757)Galeries intérieures du palais royal d'Argosannoté 'Scena Seconda Logge interne nella Reggio d'Argo veduta da un Lato di vastissima Campagna irrigata dal fiume Inaco e dall'altra di Maestose' (en bas au centre)pierre noire, plume et encre brune et grise, lavis brun et gris, filigrane blason fleur-de-lys surmonté d'une couronne44,5 x 66 cm (17 1⁄2 x 26 in.) Provenance E. Zambelli, Trente (selon le catalogue de l'exposition de 1980). A. Rungg, Trente (selon le catalogue de l'exposition de 1980).Galerie Jacques Perrin, Paris, d'où acquis par le propriétaire actuel en 1990. Literature D. Lenzi, 'Problemi bibieneschi in margine a una recente mostra' in Paragone, Anno XXII, septembre 1971, 259, p. 55-56, no. 72, ill. Exhibited Bologne, Palazzo Comunale, Mostra del Seicento bolognese, 1935, n°178.Florence, Teatro Comunale, I Bibiena scenografi, VI Maggio musicale fiorentino, Mostra dei loro disegni, schizzi e bozzetti, 1940.Venise, Fondazione Giorgio Cini, Disegni teatrali dei Bibiena, 1970, n°72, ill.Bordeaux, Galerie des Beaux-Arts, Les arts du Théâtre de Watteau à Fragonard,1980, n°104, ill. Post lot text GIUSEPPE GALLI BIBIENA, AN ARCHITECTURAL THEATER DESIGN, BLACK CHALK, PEN AND BLACK AND BROWN INK, GREY AND BROWN WASH, INSCRIBEDThanks to the inscription in the lower part of the sheet, this drawing was rightly identified by D. Lenzi (op. cit., p. 55) as a study for the Ipermestra’s scenography Scene 7, Act I, of which it records a part of the didascaly, allowing to complete it with the following: ‘… ruine d’antiche fabbriche’. P. Metastasio’s booklet was performed in Vienna in 1744, and the scenography commissioned to Giuseppe Galli Bibiena while the music to German and Italian composers Johann Adolf Hasse et Luca Antonio Predieri.Executed in a more elegant and delicate style than his works dated to 1720-1730s, this study compares to further drawings dating from 1740s, when at the Accademia Clementina, including those preparatory for the Spanish Calvary in 1744 or other capricci from that period (Morgan Library, New York, inv. 1982.75:125).
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