SIMONE DI FILIPPO BENVENUTI DA BOLOGNA, CALLED SIMONE DEI CROCIFISSI (BOLOGNA C. 1330-C. 1399)

Lot 44
09.06.2022 10:00UTC -05:00
Classic
Prix de départ
$ 400 000
AuctioneerCHRISTIE'S
Lieu de l'événementEtats-Unis, New York
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ID 773392
Lot 44 | SIMONE DI FILIPPO BENVENUTI DA BOLOGNA, CALLED SIMONE DEI CROCIFISSI (BOLOGNA C. 1330-C. 1399)
Valeur estimée
$ 400 000 – 600 000
SIMONE DI FILIPPO BENVENUTI DA BOLOGNA, CALLED SIMONE DEI CROCIFISSI (BOLOGNA C. 1330-C. 1399)
The Coronation of the Virgin
tempera and gold on panel, in an engaged frame
44 3⁄4 x 23 1⁄4 in. (111.2 x 59 cm.)




Provenance

Vittorio Emanuele of Savoia-Aosta (1870-1946), Count of Turin, by the late 19th century.
Achille de Clemente (1874-1940), Florence, (probably) by the 1920s; his sale, American Art Association, New York, 15-17 January 1931, lot 497, where acquired on behalf of,
William Randolph Hearst (1863-1951), New York.
Dr. M.A. Stopp, Zurich.
with Bacarelli, Florence, by 1970.
Anonymous sale; Christie's, London, 26 June 1970, lot 49, where acquired for 8,000 gns. by the following,
with Julius Weitzner, New York.
with E.V. Thaw & Co. Inc., New York, where acquired in April 1976 by,
Walter P. Chrysler (1909-1988), Norfolk, VA, by whose estate sold,
The Estate of Walter P. Chrysler, Jr.; Sotheby's, New York, 1 June 1989, lot 3, where acquired by,
Jacob Bean (1924-1992), New York.
Private collection, New York.
with Hall & Knight, Ltd., New York, where acquired by the present owner in April 2000.



Literature

(Probably) R. Van Marle, The Development of the Italian Schools of Painting, IV, The Hague, 1924, p. 450.
M. Tamassia, Collezione d'arte tra Ottocento e Novecento: Jacquier fotografi a Firenze, 1870-1935, Naples, 1995, p. 198.
D. Benati, 'Simone di Filippo (o dei Crocifissi)', Enciclopedia dell' Arte Medievale, X, 1999, p. 683.
M. Boskovits, ed., The Alana Collection, Newark, Delaware, USA: Italian Painting from the 13th to 15th Century, I, Florence, 2009, pp. 188-191, no. 33, illustrated (entry by A. Labriola).



Exhibited

Norfolk, VA, Norfolk Museum of Arts and Sciences, April 1976, on loan.
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