Художник
ИВАН ЩУКИН
москва, Россия
the end of downshifting or time to go home
ИВАН ЩУКИН (р. 1980) 
SHCHUKIN IVAN
ИВАН ЩУКИН
31.10.1980
Россия
Fascination with color is why I started to paint: it pushed me out of my career as a graphic designer towards the uncertain path of a freelance self-employed artist. I experiment a lot with texture and incorporate playful twists of imagination to provoke myself and a viewer to re-see everyday natural and cultural phenomena. Into these simple narratives, I interweave my personal mysteries. Techniques – be it direct paint drips or installations - result in telling stories that reflect a very subjective truth and history.
FOOL
ИВАН ЩУКИН (р. 1980) SHCHUKIN IVAN
ИВАН ЩУКИН
31.10.1980
Россия
Fascination with color is why I started to paint: it pushed me out of my career as a graphic designer towards the uncertain path of a freelance self-employed artist. I experiment a lot with texture and incorporate playful twists of imagination to provoke myself and a viewer to re-see everyday natural and cultural phenomena. Into these simple narratives, I interweave my personal mysteries. Techniques – be it direct paint drips or installations - result in telling stories that reflect a very subjective truth and history.
golf
ИВАН ЩУКИН (р. 1980) SHCHUKIN IVAN
ИВАН ЩУКИН
31.10.1980
Россия
Fascination with color is why I started to paint: it pushed me out of my career as a graphic designer towards the uncertain path of a freelance self-employed artist. I experiment a lot with texture and incorporate playful twists of imagination to provoke myself and a viewer to re-see everyday natural and cultural phenomena. Into these simple narratives, I interweave my personal mysteries. Techniques – be it direct paint drips or installations - result in telling stories that reflect a very subjective truth and history.
Varanasi beggar
ИВАН ЩУКИН (р. 1980) SHCHUKIN IVAN
ИВАН ЩУКИН
31.10.1980
Россия
Fascination with color is why I started to paint: it pushed me out of my career as a graphic designer towards the uncertain path of a freelance self-employed artist. I experiment a lot with texture and incorporate playful twists of imagination to provoke myself and a viewer to re-see everyday natural and cultural phenomena. Into these simple narratives, I interweave my personal mysteries. Techniques – be it direct paint drips or installations - result in telling stories that reflect a very subjective truth and history.