Dinner холст льняной Импасто Абстрактный экспрессионизм Россия 2018 г.
Dinner (composition №14)
To get together at the dinner table, to talk a lot about everything in the world, but still manage to say nothing that really matters.
The artwork is painted in a unique author's technique, using a plastic card and, in the case of this particular picture, a pancake spreader. Paint is rubbed into a thin multi-layer film, creating a complex colorful pattern that gives the finished painting a multi-dimensional depth and saturation, rhythm and direction, that makes the paint “glow”, and the viewer’s eye — unconsciously feel movement of an artist hand.
This one of a kind original art piece will decorate the wall space at an office and in a meeting room, create a special atmosphere in a modern restaurant, perfectly fit a contemporary interior in your home — living and dining rooms, hallways, kitchen and bedrooms, adding a little bit of a scandinavian spirit.
Color palette of the artwork consists of several colors, they are: black, white, red, gold, blue, sienna.
Medium acrylic impasto and textured paint surface are both distinctive features of this art piece.
Acrylic, gesso on linen canvas. Coated with an archival-quality protective varnish. Mounted on a stretcher frame.
Painted with plastic cards and the other tools.
Sides are painted.
To get together at the dinner table, to talk a lot about everything in the world, but still manage to say nothing that really matters.
The artwork is painted in a unique author's technique, using a plastic card and, in the case of this particular picture, a pancake spreader. Paint is rubbed into a thin multi-layer film, creating a complex colorful pattern that gives the finished painting a multi-dimensional depth and saturation, rhythm and direction, that makes the paint “glow”, and the viewer’s eye — unconsciously feel movement of an artist hand.
This one of a kind original art piece will decorate the wall space at an office and in a meeting room, create a special atmosphere in a modern restaurant, perfectly fit a contemporary interior in your home — living and dining rooms, hallways, kitchen and bedrooms, adding a little bit of a scandinavian spirit.
Color palette of the artwork consists of several colors, they are: black, white, red, gold, blue, sienna.
Medium acrylic impasto and textured paint surface are both distinctive features of this art piece.
Acrylic, gesso on linen canvas. Coated with an archival-quality protective varnish. Mounted on a stretcher frame.
Painted with plastic cards and the other tools.
Sides are painted.
ID: | 40195 |
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Автор: | Галина Хабарова (р. 1986) |
Оригинальность: | Оригинал |
Состояние: | Новое |
Год создания: | 2018 |
Техника исполнения: | Импасто |
Размер: | 50 x 70 x 2 см |
Обрамление: | Без рамы |
Художественный стиль: | Абстракционизм, Абстрактный экспрессионизм, Минимализм, Концептуальное искусство, Современное искусство |
Доставка по: | По миру |
Способ оплаты: | Банковский перевод, Paypal |
Способ доставки: | Почтовая служба, Курьерская служба |
Возврат товара: | 7 дней |
Место происхождения: | Россия |
Категория: | Картины |
Ключевые слова: | Натюрморт |
Информация об авторе
My paintings are abstract in nature and are created anew each time in the process of intuitively following the imagination, in most cases without any preliminary sketches. They are multi-layered surfaces with a rich texture that exposes the underlying layers of paint, with rhythm, direction and a complex color pattern.
When I start my work, I mentally return to a moment of the past, real or imaginary, when I experienced certain emotions. When I relive it within myself, I work on transfering these emotions to the surface of the canvas. This process is akin to meditation, when emotional images splash out on the painting, as if without my conscious participation. A paint stroke is a reflection of a certain feeling. As emotions quickly replace each other, so do paint strokes overlap each other in the process of my work. Starting with some colors and shades, I can finish the work with completely different ones, covering and overlapping each layer many times. But, like the emotions experienced, each stroke leaves its mark on the surface, forming a unique texture.
When I start my work, I mentally return to a moment of the past, real or imaginary, when I experienced certain emotions. When I relive it within myself, I work on transfering these emotions to the surface of the canvas. This process is akin to meditation, when emotional images splash out on the painting, as if without my conscious participation. A paint stroke is a reflection of a certain feeling. As emotions quickly replace each other, so do paint strokes overlap each other in the process of my work. Starting with some colors and shades, I can finish the work with completely different ones, covering and overlapping each layer many times. But, like the emotions experienced, each stroke leaves its mark on the surface, forming a unique texture.
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