Искушение канва Масляные краски Импрессионизм Бытовой жанр Украина 2021 г.
From fairest creatures we desire increase, That thereby beauty's rose might never die, But as the riper should by time decease, His tender heir might bear his memory: But thou, contracted to thine own bright eyes, Feed'st thy light's flame with self-substantial fuel, Making a famine where abundance lies, Thyself thy foe, to thy sweet self too cruel. Thou that art now the world's fresh ornament And only herald to the gaudy spring, Within thine own bud buriest thy content, And, tender churl, mak'st waste in niggarding: Pity the world, or else this glutton be, To eat the world's due, by the grave and thee.
ID: | 47379 |
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Оригинальность: | Оригинал |
Состояние: | Новое |
Год создания: | 2021 |
Техника исполнения: | Масляные краски |
Размер: | 60 x 90 x 3 см |
Обрамление: | Картина без обрамления |
Художественный стиль: | Импрессионизм |
Жанр: | Бытовой жанр, Религиозный жанр |
Доставка по: | По миру |
Способ оплаты: | Банковский перевод |
Способ доставки: | Почтовая служба |
Возврат товара: | Нет возврата |
Место происхождения: | Украина |
Категория: | Картины |
Ключевые слова: | Любовь |
Информация об авторе
Serhiy Berezin. I was born in 1959 and still live in a small picturesque town of Stryi, Ukraine.
In 1982 he graduated in absentia from the National Art University in Leningrad (today St. Petersburg). He also received a diploma of a specialist in the field of chemistry of inorganic compounds from the Lviv Polytechnic University. It helps me a lot in developing my own designer paints.
Azam studied painting with his mother, who at one time was a master of a very high class.
My technique is not similar to the already known art school methods. I create and in constant search for something new, different from others.
For glazing, I sometimes use paints left by my mother and grandfather. Very old pigments of the 19th century, which allow you to work even in the technique of absolute stretching of paints, similar to the watercolor technique.
Over the long years of creativity, most of my works adorn the homes of my fans around the world.
Repeatedly participated in regional exhibitions. One of the exhibitions was especially memorable. It took place in Moscow (international exhibition "Mother and Child" 2003), where I was awarded the first prize for sponsorship of the International Fund for Helping Children in Need. There were also many exhibitions in the capital of Ukraine.
Now I try to work in different styles and I am constantly looking for something new in solving the problems of modern painting, to show what we stand in this society, and how painting makes us think about our being.
In 1982 he graduated in absentia from the National Art University in Leningrad (today St. Petersburg). He also received a diploma of a specialist in the field of chemistry of inorganic compounds from the Lviv Polytechnic University. It helps me a lot in developing my own designer paints.
Azam studied painting with his mother, who at one time was a master of a very high class.
My technique is not similar to the already known art school methods. I create and in constant search for something new, different from others.
For glazing, I sometimes use paints left by my mother and grandfather. Very old pigments of the 19th century, which allow you to work even in the technique of absolute stretching of paints, similar to the watercolor technique.
Over the long years of creativity, most of my works adorn the homes of my fans around the world.
Repeatedly participated in regional exhibitions. One of the exhibitions was especially memorable. It took place in Moscow (international exhibition "Mother and Child" 2003), where I was awarded the first prize for sponsorship of the International Fund for Helping Children in Need. There were also many exhibitions in the capital of Ukraine.
Now I try to work in different styles and I am constantly looking for something new in solving the problems of modern painting, to show what we stand in this society, and how painting makes us think about our being.
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