JEAN-MICHEL BASQUIAT (1960-1988)

Лот 13
10.05.2022 19:00UTC -05:00
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RUB 1
AuctioneerCHRISTIE'S
Место проведенияСША, New York
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ID 753511
Лот 13 | JEAN-MICHEL BASQUIAT (1960-1988)
JEAN-MICHEL BASQUIAT (1960-1988)Portrait of the Artist as a Young Derelictsigned, titled and dated 'JEAN MICHEL BASQUIAT 1982 "PORTRAIT OF THE ARTIST AS A YOUNG DERELICT" (on the reverse of the left panel)triptych—acrylic, oil, oilstick and hardware on hinged wood constructionoverall: 81 5⁄8 x 82 3⁄8 x 3 5⁄8 in. (207.3 x 209.2 x 9.2 cm.)Executed in 1982. Provenance FUN Gallery, New YorkGalerie Mostini, ParisAcquired from the above by the present owner, 1995 Literature H. Perdriolle, Figuration Libre, Toulouse, 1985, p. 80 (installation view illustrated).M. Enrici, J.M. Basquiat, Paris, 1989, p. 65 (illustrated). O. Zahm, New Art International, New York, February 1990, pp. 81 and 88 (illustrated).R. Marshall and J.-L. Prat, Jean-Michel Basquiat, Paris, Galerie Enrico Navarra, 1996, 1st edition, vol. 1, pp. 80-81 and 388 (illustrated); 2nd edition, vol. 2, pp. 104-105 and 391 (illustrated).P. Hoban, Basquiat: A Quick Killing in Art, New York, 1998, pp. 322 and 328.T. Shafrazi, J. Deitch, and R. D. Marshall, Jean-Michel Basquiat, New York, Tony Shafrazi Gallery, 1999, pp. 150-151.J.-L. Prat, et al., Jean-Michel Basquiat, Paris, Galerie Enrico Navarra, 2000, 3rd edition, vol. 2, pp. 47 and 108-109, no. 1 (illustrated and detail view illustrated); appendix, p. 29.L. Emmerling, Basquiat, Cologne, 2003, p. 90.J. Bennett, Empathic Vision: Affect, Trauma, and Contemporary Art, Redwood City, 2006, p. 124. “Jean-Michel Basquiat,” Scholastic Art, vol. 40, no. 1, September/October 2009, p. 11 (illustrated).J. Fineberg, Art Since 1940: Strategies of Being, 3rd edition, New York, 2010, p. 445 (illustrated).K. Jones, ed., EyeMinded: Living and Writing Contemporary Art, Durham, 2011, p. 292.L. Emmerling, Jean Michel Basquiat 1960-1988 – The Explosive Force of the Streets, Cologne, 2011, p. 90 (illustrated). J. Saggese, Reading Basquiat: Exploring Ambivalence in American Art, Berkeley, 2014, pp. 35 and 131.F. Hoffman, The Art of Jean-Michel Basquiat, New York, 2017, pp. 208-211 and 250 (illustrated and installation view illustrated).H. Holzwarth, ed., Jean-Michel Basquiat and the Art of Storytelling, Cologne, 2018, pp. 184-185 (illustrated).D. Buchhart and A. Hofbauer, eds., Basquiat by Himself, Munich, 2019, pp. 34 and 88-89 (illustrated).J. Saggese, ed., The Jean-Michel Basquiat Reader, Oakland, 2021, p. 312.H. Holzwarth, ed., Jean-Michel Basquiat, Cologne, 2021, pp. 216-217 (illustrated). Exhibited New York, FUN Gallery, Jean-Michel Basquiat, November-December 1982. Paris, Galerie Enrico Navarra, Jean Michel Basquiat: Peintures, sculptures, oeuvres sur papier et dessins, November-December 1989, pp. 14-15 (illustrated). Marseille, Musée Cantini, Jean-Michel Basquiat-Une Rétrospectiv, July-September 1992, pp. 80-81 (illustrated). New York, Whitney Museum of American Art; Houston, The Menil Collection; Des Moines Art Center and Montgomery Museum of Fine Arts, Jean-Michel Basquiat, October 1992-January 1994, pp. 21, 51 and 124 (illustrated). Paris, Galerie Jérôme de Noirmont, Jean-Michel Basquiat - Témoignage 1977-1988, October-November 1998, pp. 48-49 (illustrated). New York, Brooklyn Museum; Los Angeles, Museum of Contemporary Art and Houston, Museum of Fine Arts, Basquiat, March 2005-February 2006, pp. 67 and 224 (illustrated). Basel, Fondation Beyeler and Musée d'Art Moderne de la Ville de Paris, Basquiat, May 2010-January 2011, p. 85, pl. 61 (Basel, illustrated); p. 83, pl. 58 (Paris, illustrated).Paris, Fondation Louis Vuitton, Jean-Michel Basquiat, October 2018-January 2019, pp. 13, 27 and 167, no 58 (illustrated). Post Lot Text This work is accompanied by a certificate of authenticity issued by the Authentication Committee of the Estate of Jean-Michel Basquiat.
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