В ожидании грозы канва Масляные краски Неоимпрессионизм Пейзажная живопись Украина 1991 г.
The tired sky burst into tears heavy clouds shaking on tender shoulders. The air was alarmed, frightened by an early thunderstorm. And a weak sprout, not having time to be born, is staggering. Earthly nature froze in mute expectation pierced by languor - what awaits her this time? Cool water spills life-giving moisture il earth flood flood of sins of men? The landscape is divided with a horizon strip in contrast: a lead sky ready to fall from heaven - and the meekness of divine nature in trembling colors. And it became not clear - where the angel lives, and where the demon ...
ID: | 47375 |
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Оригинальность: | Оригинальная работа |
Состояние: | Новое |
Год создания: | 1991 |
Техника исполнения: | Масляные краски |
Размер: | 80 x 60 x 3 см |
Обрамление: | Картина без обрамления |
Художественный стиль: | Неоимпрессионизм |
Жанр: | Пейзажная живопись |
Доставка по: | По миру |
Способ оплаты: | Банковский перевод |
Способ доставки: | Почтовая служба |
Возврат товара: | Нет возврата |
Место происхождения: | Украина |
Категория: | Картины |
Ключевые слова: | Осень |
Информация об авторе
Serhiy Berezin. I was born in 1959 and still live in a small picturesque town of Stryi, Ukraine.
In 1982 he graduated in absentia from the National Art University in Leningrad (today St. Petersburg). He also received a diploma of a specialist in the field of chemistry of inorganic compounds from the Lviv Polytechnic University. It helps me a lot in developing my own designer paints.
Azam studied painting with his mother, who at one time was a master of a very high class.
My technique is not similar to the already known art school methods. I create and in constant search for something new, different from others.
For glazing, I sometimes use paints left by my mother and grandfather. Very old pigments of the 19th century, which allow you to work even in the technique of absolute stretching of paints, similar to the watercolor technique.
Over the long years of creativity, most of my works adorn the homes of my fans around the world.
Repeatedly participated in regional exhibitions. One of the exhibitions was especially memorable. It took place in Moscow (international exhibition "Mother and Child" 2003), where I was awarded the first prize for sponsorship of the International Fund for Helping Children in Need. There were also many exhibitions in the capital of Ukraine.
Now I try to work in different styles and I am constantly looking for something new in solving the problems of modern painting, to show what we stand in this society, and how painting makes us think about our being.
In 1982 he graduated in absentia from the National Art University in Leningrad (today St. Petersburg). He also received a diploma of a specialist in the field of chemistry of inorganic compounds from the Lviv Polytechnic University. It helps me a lot in developing my own designer paints.
Azam studied painting with his mother, who at one time was a master of a very high class.
My technique is not similar to the already known art school methods. I create and in constant search for something new, different from others.
For glazing, I sometimes use paints left by my mother and grandfather. Very old pigments of the 19th century, which allow you to work even in the technique of absolute stretching of paints, similar to the watercolor technique.
Over the long years of creativity, most of my works adorn the homes of my fans around the world.
Repeatedly participated in regional exhibitions. One of the exhibitions was especially memorable. It took place in Moscow (international exhibition "Mother and Child" 2003), where I was awarded the first prize for sponsorship of the International Fund for Helping Children in Need. There were also many exhibitions in the capital of Ukraine.
Now I try to work in different styles and I am constantly looking for something new in solving the problems of modern painting, to show what we stand in this society, and how painting makes us think about our being.
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