ID 773527
Лот 28 | BERNARDO DADDI (ACTIVE FLORENCE, C. 1318-1348)
Оценочная стоимость
$ 300 000 – 500 000
The Madonna and Child enthroned with Saints Francis and Mary Magdalene and a female donor
inscribed 'MARIA VIRGO INTER' (upper center, within the Madonna's halo)
tempera and gold on panel
54 x 29 1⁄2 in. (137 x 75 cm.)
Provenance
Purchased, probably in Paris, by Siegfried Wedells (1848-1919), Hamburg, by whom bequeathed in 1921 to,
Hamburg, Kunsthalle, by whom sold, circa 1960.
with Wildenstein & Co., New York.
Anonymous sale; Christie's, London, 5 July 2011, lot 58, where acquired by the present owner.
Literature
V. Dirksen, 'Die Sammlung Wedells in Hamburg', Kunstchronik und Kunstmarkt, XXXIII, 1922, p. 757, as 'Circle of Bernardo Daddi'.
A. Rohde, 'Die Galerie Wedells in Hamburg', Der Cicerone, XIV, no. 12, 1922, p. 506.
B. Berenson, Italian Pictures of the Renaissance, Oxford, 1932, p. 166.
R. Van Marle, 'La Collezione del Haus Wedells di Amburgo', Dedalo, XIII, 1933, pp. 244-246, illustrated.
R. Offner, A Critical and Historical Corpus of Florentine Painting, III, IV, Bernardo Daddi, His Shop and Following, New York, 1934, pp. 121-122, 133, pls. XLVIII, XLVIII1, XLVIII2, XLVIII3, as 'by a close follower of Daddi'.
B. Berenson, Pitture italiane del rinascimento, Milan, 1936, p. 142.
D.C. Shorr, The Christ Child in devotional images in Italy during the XIV century, New York, 1954, pp. 183-184, illustrated, as 'by a follower of Daddi'.
B. Berenson, Italian pictures of the Renaissance: Florentine School, I, London and New York, 1963, p. 54.
B. Klesse, Seidenstoffe in der italienischen Malerei des 14. Jahrhunderts, Bern, 1967, p. 192, no. 51d, as 'by a follower of Daddi'.
M. Boskovits, in R. Offner, A critical and historical corpus of Florentine painting, III, IX, The painters of the miniaturist tendency, Florence, 1984, p. 32, note 98.
R. Offner, A critical and historical corpus of Florentine painting, III, III, The works of Bernardo Daddi (revised ed. by M. Boskovits), Florence, 1989, pp. 46, 85, note 56, as 'by a close follower of Daddi'.
M. Boskovits, The Thyssen-Bornemisza Collection: Early Italian Painting, 1290-1470, London, 1990, p. 64, note 1.
R. Offner, A Critical and Historical Corpus of Florentine Painting, III, IV, Bernardo Daddi, His Shop and Following (revised ed. by M. Boskovits), Florence, 1991, pp. 23, 363-364, pls. XLVIII, XLVIII (recording Klara Steinweg's manuscript opinion that painting, following its cleaning, is by Daddi himself), p. 389 (with Offner's attribution to the close following of Daddi), pp. 508, 511 (attributed by Boskovits to Daddi himself).
Exhibited
Hamburg, Kunsthalle, Die Sammlung Wedells, 1935.
Paris, Musée Jacquemart-André, La Collection Alana: Chefs-d'œuvres de la peinture italienne, 13 September-20 January 2020, no. 11 (entry by C.B. Strehkle).
| Автор: | Бернардо Дадди (1280 - 1348) |
|---|---|
| Техника исполнения: | Расписанный, Темпера |
| Материал: | Золоченая панель |
| Художественный стиль: | Барокко, Возрождение, Старые мастера |
| Место происхождения: | Италия, Европа |
| Категория аукционного дома: | Картины |
| Автор: | Бернардо Дадди (1280 - 1348) |
|---|---|
| Техника исполнения: | Расписанный, Темпера |
| Материал: | Золоченая панель |
| Художественный стиль: | Барокко, Возрождение, Старые мастера |
| Место происхождения: | Италия, Европа |
| Категория аукционного дома: | Картины |
| Адрес торгов |
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